Saturday, December 06, 2008
Friday, November 14, 2008
Sunday, November 09, 2008
Monday, October 27, 2008
Just today, I ran across a great article entitled Top 7 Considerations for Music School Applicants. Check it out!
Sunday, October 26, 2008
Movement One
Movement Two
Movement Three
Tuesday, October 07, 2008
Thursday, October 02, 2008
The above photo is from the ESO's opening gala concert this season. We performed Gustav Holst's The Planets with narration by Leonard Nimoy and NASA visuals projected over the stage. The gentlemen pictured are, from left to right, Adam Moen, Reed Capshaw, Michael Becker, Leonard Nimoy, Mark Fry and Sean Whitaker.
Friday, September 26, 2008
Monday, March 24, 2008
Holly Mulcahy, Violin
and
Mark Fry, Bass Trombone
with
Maureen Zoltek, Piano
March 25th, 2008 at 7:30pm
Lincoln Park Presbyterian Church
600 W. Fullerton Parkway
Chicago, IL 60614
Program
W. A. Mozart (1756-1791) Concerto in D Major
1. Allegro
Duke Ellington (1899-1974) Come Sunday
(arr. Abene)
Karl Pilss (1902-1979) Concerto for Bass Trombone
1. Allegro Moderato
2. Andante Moderato
3. Allegro Vigoroso
Charles Ives (1874-1954) Three Songs
1. The Housatonic at Stockbridge
2. The Circus Band
3. Remembrance (My Father’s Song)
Sergei Prokofiev (1891-1953) Concerto #2 in g minor
1. Allegro Moderato
Irving Berlin (1888-1989) Anything You Can Do
(from Annie Get Your Gun)
Thursday, March 20, 2008
Monday, March 17, 2008
Also, I will be performing a recital with violinist Holly Mulcahy next Tuesday, March 25th here in Chicago. I will have more info on that later.
Friday, February 08, 2008
presents
Sonic Spectacular VIII
Friday, February 8th, 8pm
U of C Rockefeller Chapel
5850 S. Woodlawn, Chicago Il
Stephen Squires, Conductor
Thomas Weisflog, Organ
Program to include:
Brevard Fanfare - Tull
Early Music Suite
Jupiter, from “The Planets” - Holst/Kreines
Dukes of Marlborough Fanfare - Grainger
Symphony for Brass - Ewazen
Pines of the Appian Way, from “The Pines of Rome” - Respighi/Kreines
Tickets can be purchased at the door or in advance by calling 773.702.7059
www.millarbrass.com
Wednesday, February 06, 2008
Tuesday, February 05, 2008
Here is the program...
ProBono in Recital
8PM, Wednesday February 6th, 2008
Wallenberg Hall
Thomas Stark and Jemmie Robertson, Tenor and Alto Trombones
Mark Fry, Bass Trombone
Sean Whitaker, Tuba
Samuel Scheidt (1587-1654) Canzon
Transcribed by Lee Hipp
Three Reformation Chorales
Martin Luther (1534) Von Himmel hoch da komm’ich her
Anonymous (1679) Liebster Immanuel, Herzog der Frommen
Martin Luther (1529) Ein feste Burg ist unser Gott
J.S. Bach (1685-1750) Toccata and Fugue in d minor
Arr. Pierre Beaudry
F. J. Haydn (1732-1809) Achieved is the Glorious Work from “The Creation”
Arr. Les Shaw
Richard Wagner (1813-1883) Pilgrim’s Chorus from “Tannhäuser”
Arr. Mark McDunn and Clifford Barnes
Intermission
Paul Dukas (1865-1935) Fanfare from “La Peri”
Arr. Thomas Stark
Henri Tomasi (1901-1971) “ÊTRE OU NE PAS ÊTRE” Monologue d’ Hamlet
Ralph Vaughan-Williams (1872-1958) Folk Song Suite
Transcribed by Lloyd Raby
1. March- “Seventeen Come Sunday”
2. Intermezzo- “My Bonny Boy”
3. March- “Folk Songs from
Scott Joplin (1867-1917) Three Rags
Trans. By Ralph Sauer 1. The Entertainer (A Rag Time Two Step)
2. Pleasant Moments (Ragtime Waltz)
3. The Cascades (A Rag)
Meredith Willson (1902-1984) 76 Trombones
Arr. Vinicio Meza
Friday, January 25, 2008
WFMT
Tonight will be a broadcast of this season's performance of Bartok's Concerto for Orchestra and Rachmaninoff's Piano Concerto No. 2 with pianist, Alexander Korsatia.
Enjoy!
Wednesday, January 23, 2008
The Houston Symphony Orchestra recently premiered Cindy McTee's Solstice for solo trombone and orchestra this January. The orchestra commissioned the work for their principal trombonist, Allen Barnhill. The reviews were outstanding for both Allen Barnhill's performance and the work itself. Here is an excerpt from the Houston Chronicle's Charles Ward.
Solstice is the latest piece commissioned by the Houston Symphony for its principal players. Barnhill and the artistic staff chose McTee, a professor at the University of North Texas. She produced a three-movement piece teeming with a musical language that is distinctly and refreshingly American.
One principal McTee used in the work was the notion of stasis, a term from the sciences that, among other things, can describe a state where things are static or motionless, even if there seems to be a frenzy of activity on the surface. McTee used the idea in all three movements but many times, especially in the first, the result was distinctly similar to the vamping an accompanying ensemble uses for a soloist in popular music and jazz.
Many allusions to jazz dotted the work, products of a musical mind that has absorbed defining styles of American music and turned elements into its own, distinctive voice. Many times Barnhill's solo could be heard as the output of a master wailing away in free jazz. Lots of the chords in the middle movement were straight from the world of jazz ballads (though, again, McTee was exploring other technical elements of style).
Solstice was vibrant and high-charged in the outer movements (notwithstanding the stasis) and evocatively sober in the elegiac middle movement. The only thing I would have liked was an additional segment of music in the first movement to ratchet the tension and energy up even further before going, without pause, into the middle movement.
Barnhill played with masterful control. His tone was burnished, his legato a pleasure for its seamlessness, and the power and agility impressive.
Here is a link to the entire review.Thanks to Houston Symphony Associate Principal Trombonist, Brad White for sending this to me!